One of the most re-watchable films of all time. Especially because Robert Downey Jr. coke laden delivery is so hard to follow you won't catch everything on the first try.
Anne Hathaway + Skin tight spandex.
The Dark Knight Rises takes a cue from another Nolan film, The Prestige, in that a pretty woman in a revealing outfit is often enough to distract the audience from the clumsy handiwork at play.
As the elegant network of lies begin to unravel in a beautifully inelegant manner it becomes painfully obvious that the most impressive technical feats in film making seldom involve computer generated explosions or lens flare.
Super 8 plays like a love letter to the Amblin films of the 80s and 90s. Too bad JJ Abrams felt the need to showcase his superhuman ability of ruining any property with a generic monster.
The shot on video look of Once adds a nearly redundant layer of realism to a film that already embodies cinéma vérité. The relationship between the two leads reads authentic without becoming forced or contrived--not a small task considering neither of them are actors,
While I can appreciate that Precious is trying to shine a light on the third world living conditions that plague many youth in North America, the late 80s setting creates an anachronistic dissonance. Oscar bait at its finest.
I saw a cam of this and I can safely say the most enjoyable part of Breaking Dawn was watching silhouettes shake their heads in disbelief as they sporadically walked out over the course of the movie. Breaking Dawn makes "Junior" look like the "Citizen Kane" of pregnancy films.
The clever interplay between practical and computer effects redefined the rubric for the summer blockbuster. Released in 1993, Jurassic Park has aged quite gracefully, approaching its twenties with the nascent charm of a film half its age.
